Unmarked6698
- Flag inappropriate
- Show review history
"How strange!" says Mona. "But how then did you manage?" "Do you think you are stronger than I am?" he says, amusement blended with the old admiration in his eyes. Here she turns and looks him full in the face; and something—it may be in the melancholy of his expression—so amuses her that (laughter being as natural to her lips as perfume to a flower) she breaks into a sunny smile, and holds out to him her hand in token of amity..
453 people found this
review helpful
kez_ h (Kez_h)
- Flag inappropriate
- Show review history
"But why do you suspect Dido?"I tried logging in using my phone number and I
was supposed to get a verification code text,but didn't
get it. I clicked resend a couple time, tried the "call
me instead" option twice but didn't get a call
either. the trouble shooting had no info on if the call
me instead fails.There was
I stopped on next to the bottom step in the wide old hall and called Tom to turn out the light for me, as Jane had gone out.
658 people found this
review helpful
Conrad
"How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more." "No, it will not shock me," returns Mona, quietly; whereupon he sits down, and Biddy puts a basin on the table, and Mona, with trembling fingers, takes a scissors, and cuts away the shirt-sleeve from his wounded arm. Then she bathes it. She excuses her unwonted drowsiness with a little laugh, natural and friendly, and begs them "not to betray her." Clothed in all this sweetness she drops a word or two meant to crush Mona; but that hapless young woman hears her not, being bent on explaining to Mrs. Carson that, as a rule, the Irish peasantry do not go about dressed only in glass beads, like the gay and festive Zulus, and that petticoats and breeches are not utterly unknown. Mona shivers. Getting up from her lowly position, she draws back the curtains of her window and looks out upon the night. It is brilliant with moonlight, clear as day, full of that hallowed softness, that peaceful serenity, that belongs alone to night..
298 people found this
review helpful